Here at Mastering.it audio labs, our professional mixing service is designed to enhance every nuance of your recordings, respecting the artistic intent of each composer and performer.

Advanced Mixing Techniques:
We specialize in the latest mixing and mastering techniques, offering three distinct approaches to meet the specific needs of each project:
- Full-Digital (In the Box): We use exclusively digital software for precise control and total flexibility.
- Full-Analog: We employ high-quality analog equipment for a warm, characteristic sound typical of classic productions.
- Hybrid Digi-Log: We combine the best of both digital and analog worlds, integrating our vintage outboard gear with modern digital DSPs for a cutting-edge sonic balance.

Artistic Consistency and Sound Quality:
Our mixes stand out for their artistic consistency with the musical genre, distinctive character, and clarity of each instrument or voice. An impeccable mix enhances the potential of the artist or band, and we specialize in every production, from pop to rock, to sophisticated electronic music.

Formats and Capabilities:
We offer mixing in stereo or surround formats (up to 8.1), ensuring a perfect sonic perspective for your works. We handle approximately 120 tracks in full-digital, 48 tracks in full-analog, and about 160 tracks in hybrid mode, in real-time and without compromise.

More details on our mixing service:

Some Equipment:
Analog Matrix: 2 linked MX-8000 with meter-bridge, 48 mic ins + 48 line ins, 16 subs, 6+2 aux sends. Analog automation Niche ACM.
Digital Matrix: MOTU (Mark Of The Unicorn) top class 424 PCIe, 2408 MK3 + 24 I/O + 1224 (56 INs + 56 OUTs), with external wordclock generator.
Host: Apple MacPro (Mac OS + Win), 64 Gb ram
Main Software: APPLE LOGIC PRO, APPLE SUITE, etc.
Audio Formats: Logic, Nuendo, Avid, Cubase, OMF, AFF, DDP, etc.
DSP: TC-Powercore, Universal Audio UAD, Focusrite Liquid Mix
MIDI: Emagic MT-4, Midi Merger, Midi Splitter
Digital Processors: Yamaha Rev-5, Digitech Studio Quad V.2, Lexicon MPX-100, Alesis Quadraverb GT, Digitech IPS-33B, Behringer FX2000 Virtualizer 3D, Yamaha EMP-100, Roland SDE-3000, Alesis AirFX, Korg Kaoss Pad
Analog Compressors: Urei 1178, DBX 160-XT, DBX 166A, LA Audio C-8, LA Audio GCX-2, Vonny Acoustics CL-1, RSP Reanimator
Analog Outboards: Drawmer MX-60 Front End One (preamp, gate, de-esser, equalizer, 3 bands tube saturator, limiter), Joe Meek Six-Q (channel strip), Drawmer Quad Gate DS-404, Art Tube MP pre-amps, Behringer Ultra-Curve, Behringer Edison (phase meter), Rocktron Exciter RX-1, Vonny Acoustics Expander/Gate EX-1
Monitoring: Yamaha NS-10M Studio, Tannoy Reveal, Fostex NF-1, Vintage Philips monitors, Subwoofer 2 x 8"/320 W, Infrasonic transducers, Yamaha NX-630 6 x 350W class AB amplifiers, Digital Sound Processor 24bit/96KHz, Luxman class A preamplifier. Our electroacoustic monitoring systems guarantee a linear bandwidth, staring from frequencies close to 20 Hz up to ultrasonic ones.

Our Mix Room is meticulously designed to provide optimal acoustics, with every detail carefully considered through uncompromising planning and construction. To ensure the highest precision in sound reproduction, we conduct quarterly checks of frequency and phase linearity in our monitoring system, utilizing the latest RTA (Real-Time Analyzer) and Impulse Response technologies.
  
If you want to listen to some of our mixes, follow this (link)
Choose well the right sound for your music: a bad Mix can waste your ideas and a whole record production. 

RATES:
Our mixing rates are cost-effective and depend on the kind of project and number of tracks. In attachment our price list file.